Archive for July, 2007

Edinburgh

Sunday, July 29th, 2007

Acording to He Who Must Not Be Named, the weather in Edinburgh was wet throughout the weekend. Not quite true.

When the Virgin Voyager deposited me in Edinburgh Waverley station on Friday afternoon, the weather was like this:

Edinburgh cityscape from Princes Street Gardens

By Saturday morning, it was overcast, although the sun did attempt to break through at one or two points in late morning.

GNER HST runs though Princes Street Gardens

Then at lunchtime, it turned into this:

Murrayfield was rather wet
(Photo by Chris Walkden)

And then by Sunday morning it was dry again!

Edinburgh Cityscape looking north towards the Firth of Forth

And there was another glorious evening

Edinburgh Castle

And it was another beautiful morning on Monday

East end of Waverley Station.  What is that building in the background

I have to wonder if Fish put a curse on the gig :)

Bryan Adams fans on MA

Thursday, July 26th, 2007

One topic on conversation on the Mostly Autumn Forums is how well the band went down with Bryan Adams fans. While nobody is realistically expecting an overnight doubling of MA’s fanbase, it’s hoped that a few people were sufficiently impressed by what they heard to want to investigate further.

With the rain putting such a dampener on things, we can’t really expect to read a great many glowing reviews, but I did find this mostly positive one from from Lynsay Shepherd’s blog:

The next support act were a band called “Mostly Autumn”, a Celtic rock band. They were really good but apparently the lead singer forgot to finish getting dressed before she came on stage. She could sing and the band were good but they seemed to go on forever. It kept raining and everyone’s spirits were really row. Many people considered leaving, purely because they were so cold and wet.

I suspect the ‘seemed to go on forever’ is more to do with the rain than the quality of MA’s music.

Tempus Fugit

Thursday, July 26th, 2007

Two conversations from Edinburgh on Saturday illustrate the passage of time.

First one was on the footbridge over the railway line in Princes Street Gardens in the morning before the rains started. A father and son were watching the trains. “Here’s a really old one, a Sprinter”, said the father as a First Scotrail 158 rumbled out of the Mound tunnel.

Last time I was at that location, those trains weren’t even built, and the 47/7 push-pull sets still operated the internal Scotrail expresses.

Second was a conversation with Jerry Bloom just after Mostly Autumn’s set at Murrayfield. I remarked that I hadn’t got that wet at an outdoor gig since Deep Purple at Knebworth.

That was in 1985. 22 years ago!

Where did all those years go?

Review: Mostly Autumn/Bryan Adams, Murrayfield Stadium

Wednesday, July 25th, 2007

This was the big one; the biggest ever gig by the band I’ve been I’ve been following around the country playing to audiences in the low hundreds. Playing as special guests to Bryan Adams at Murrayfield Stadium is a huge step for a band used to playing clubs and small provincial theatres. Because Chris Johnson and Gavin Griffiths were committed to playing in Fish’s band at a gig in Calw in Germany, Mostly Autumn resorted to a one-off reunion of the 2005 lineup with Iain Jennings on keys, Liam Davidson on second guitar, and Andy Jennings on drums.

Unfortunately the weather forecast for Saturday afternoon and evening wasn’t good, with a lot of rain.

I arrived in Edinburgh on a bright and sunny Friday afternoon, which turned into a beautiful evening. Saturday dawned grey and overcast, but still dry. But at about 1pm the rain started, and didn’t stop.

On the band’s web forum we’d arranged a pre-gig meetup at the Roseburn bar, quite close to the stadium, where a lot of the usual suspects gathered, including Paul Hodgson, Paul Turner, Paul Quinton (Sometimes it seems that 50% of all Mostly Autumn fans are named Paul!), Steve and Maria, Doogle Fae Berwick, and several others. News filtered through that the start would be delayed, and there were even rumours that the gig might even be cancelled due to not having a fire certificate! But nearly an hour after the gates were supposed to have opened, we got word that whatever problems there were had been resolved, and they were finally letting people in.

Naturally the Bryan Adams hardcore had been queuing in the rain for hours while we were all in the pub, so they got to the front first. I was about 10-15 rows back, the furthest back I’ve been at a Mostly Autumn gig for a long time (the very first time I saw them, three years ago, there were only five rows!)

First support were a ska band called Cueball-8, complete with a brass section. Ska really isn’t my thing, but they weren’t actually that bad, and played with a lot of enthusiasm. I didn’t realise ska was allowed to have so many guitar solos! Their biggest weakness was that all their songs sounded the same.

Still it rained. We got colder and wetter.

The delayed start meant Mostly Autumn’s set had to be cut back to an hour, from the planned 75 minutes. Iain Jennings appeared on stage first, and appeared to be in the middle of checking his keyboards were working when they rolled the into tape and the rest of the band strode on stage and launched into “Fading Colours”.

Heather, Bryan and Andy Smith
(Photo by Chris Walkden)

It took a couple of songs into the set before they got the mix right, something that’s sadly to be expected for a support band at this sort of gig. So “Fading Colours” and “Caught in a Fold” lost a bit of their impact, with the former losing most of the guitar. By the third or fourth song, the mix was pretty good, with “Dark Before the Dawn” pretty much perfect. It wasn’t anything like loud enough, something which would become very obvious when Bryan Adams hit the stage, but it was extremely clear with very good separation, especially the vocals.

The band didn’t seem intimidated by the size of the venue, and gave a pretty good account of themselves. The performance was tight and energetic, and they seemed in good spirits, especially Bryan. It’s difficult to tell how well they went down with Bryan Adams fans with the incessant rain putting such a dampener on things.

Heather’s singing has been getting better and better the last few months, and she was absolutely fantastic at this gig, even by the high standards of the recently ended tour. Her outfit certainly raised a few eyebrows though! I find that her more risqué stage costumes aren’t really to my taste, and detract from the music a little.

And then there was Andy “The Crow” Smith equipped for the first time with a radio pickup on his bass, and let loose to roam the massive stage without risking tangling his guitar lead round the rest of the band. Time and time again I’d lose sight of him, and find he’d appeared right at the far side of the stage somewhere near Arbroath. It was also the first time I’ve seen this band projected forty feet tall on video screens beside the stage.

The setlist concentrated on the shorter punchier numbers rather than the longer atmospheric epics. Much as I love the magnificent “Carpe Diem“, it just wouldn’t have worked for an audience that had come to see Bryan Adams. High spots were a superb”Heart Life“, a song not played on the tour, a powerful version of “Broken Glass” and the perennial favourite “Evergreen“. They ended with a shortened version of “Heroes Never Die“. Sadly with the delays there wasn’t time for an encore.

Still it rained.

I’m not a Bryan Adams fan, but I’ve got to admit that he rocked hard. While a few dozen of us had travelled to see Mostly Autumn, 99% of the people here had come to see him, and he certainly delivered a strong set that rocked the crowd despite the weather. I was particularly impressed with his guitar player, He started the show playing a few numbers in the pouring rain on a small stage in the middle of the arena, to which he returned a second time for the encores. Presumably they have better circuit breakers these days so he didn’t risk electrocuting himself. For the record, I did go the beer tent during “Everything I Do“. Some things just have to be done.

The rain hadn’t stopped by the end of the gig two hours later, where a few of us met up again, cold and tired, at the Roseburn bar.

Update: There are a lot of Chris Walkden’s photos of the gig on the official site.

Mercury Music Prize Nomitations: Completely Pants

Tuesday, July 17th, 2007

As reported by the Guardian Arts Blog, the shortlist for the Mercury Music Prize is entirely predictable. It contains all the usual suspects (like the Arctic bloody Monkeys) along with far too much third-rate indie. As is entirely predictable all rock genres outside the post-punk orthodoxy are completely overlooked. And there aren’t even any singing milkmen this time.

OK, so I didn’t seriously expect anything like Porcupine Tree’s superlative “Fear of a Blank Planet” to get a nomination. While it would justifiably be one of the sixteen best albums of the year, it’s well-known that the Mercury judges won’t stray from the confines of the NME/Radio 1 groupthink when it comes to guitar music. Anything with elements of metal, or worse still, prog is either cast into the outer darkness, or isn’t even on their radar screens.

Why does the media insist on giving so much weight to an award which only considers one narrow subgenre of music?

Out West

Tuesday, July 17th, 2007

Steven Karlson of Cold Spring Shops visits the far West of England, taking in the St Ives Branch, Penzance, and the wonderfully intact Great Western junction station of St Erth, complete with a full set of semaphore signalling

Every so often, there’s a twanging of the control wires and a semaphore clatters to “clear” (which is pulling “off” there and “on” here.)

Travelling west of the Tamar is like travelling back in time; there’s an awful lot of Victorian infrastructure still in use. When I first visited the area more than 20 years ago I never expected the semaphores at St Erth, Par, Lostwithiel and Liskeard would still be in use in 2007, with no plans for modernisation.

I suspect one reason for this is that modern colour light signalling systems have a finite life expectancy before insulation starts to decay, and the whole lot needs replacement. Meanwhile the life of Victorian mechanical interlocking systems can be extended indefinitely by replacing worn parts on a piecemeal basis. The resignalling budget year after year has to be spent on replacing life-expired colour light systems dating from the fifties and sixties. There’s never enough to replace the surviving pockets of semaphores.

I’m not so sure of Steven’s description of the 57/6 at the head of the Penzance sleeper.

Down the line at Penzance, the evening sleeper train to London Paddington has been placed at the station. Although that diesel has a very British number 57 605 and name Totnes Castle, inside it is an Electro-Motive diesel. It sounds like a train ought to.

The antiseptic whine of the EMD power unit can’t replace the throaty roar of the original Sulzer engines which gave 40 years of service in these locomotives, especially when it’s deadened by the massive silencer demanded in these more environmentally-friendly times.

It wasn’t long ago since you were able to see four locomotive-hauled trains occupying all four platform roads at Penzance at one point in the morning; the 08:20 Paddington and 08:48 Manchester, the inbound sleeper from Paddington, and the Travelling Post Office, which departed empty to St.Blazey for servicing.

Upcoming live music

Sunday, July 15th, 2007

Not satisfied with 17 gigs in the first six months of the year, this is what my diary is currently looking like for the second half of the year:

  • 21st Jul - Mostly Autumn/Bryan Adams, Murrayfield, Edinburgh (Tickets bought, and accommodation sorted)
  • 24th Aug - Odin Dragonfly, Fibbers, York
  • 25th Aug - Odin Dragonfly, The Fly, London
  • 7th Sep - The Reasoning, The Borderline, London
  • 15th Sep - Fish, Academy 2, Manchester (Tickets bought, but not sure if I’m actually going to go)
  • 14th Oct - Rush, MEN Arena, Manchester (Tickets bought)
  • 9th Nov - Mostly Autumn, Grand Opera House, York
  • 29th Nov - Within Temptation, Academy 1, Manchester (Tickets bought)
  • 16th Dec - Mostly Autumn, The Astoria, London (Still only a possible at this stage)
  • 19th Dec - Mostly Autumn, The Limelight, Crewe

At the moment this list is only tentative; there are some other possibilities, Heaven and Hell being one of them. I’m also really unsure about Fish; I’m sure he will put on an excellent show, but I’m not sure how much I can separate the art from the artist.

All but one are artists I’ve seen before; is this a sign I’m getting conservative in my old age? No doubt there will be other gigs that either haven’t been announced, or I haven’t heard about yet.

Update: Marillion have just announced a Manchester date on 30th Nov, the day after Within Temptation (doesn’t state the venue, I’m guessing it’s the refurbished Academy 1 again)

Summer Stabcon 2007

Saturday, July 14th, 2007

It’s a week ago, and I haven’t written a report of this. Call myself a blogger?

Stabcon is the bi-annual games convention, focussing on board games and RPGs, currently held at the Britannia Hotel in Stockport. It tends to be a lot of the same people year after year, and it’s small enough that everyone knows everyone else. I to the registration desk to find a roomfull of familiar faces. Like a Breathing Space gig, only even more so! In fact, it didn’t seem like six months since the last con, more like a couple of weeks.

As always, the gaming was of good quality; and since I now know most of the players and GMs it’s more like an infrequent regular gaming group than RPing with a bunch of random strangers. Three of the four games were with GMs I know well from previous Stabcons, Kev, Amanda and Phil Masters.

This year I played not one by two games of Call of Cthulhu, one featuring a sinister magic mirror that wanted us as a sacrifice, the other a sorceror/mad scientist performing the Schrödinger’s Cat experiment, with the player characters as the cat.. In both games I failed some SAN rolls and went ‘wibble’ quite a bit. Other games were Stargate SG-13 using the system from Blue Planet, where we visited the Planet of the the Pear-Shaped Women, and GURPS Transhuman Space with a school trip in the year 2100. All were great fun.

Roll on the next one!

Stadium Rock

Saturday, July 14th, 2007

Next weekend I’m off to Edinburgh to see Mostly Autumn supporting Bryan Adams at Murrayfield Stadium.

I know it’s a long way to go just to see the support band, but they are playing a 75 minute ‘special guest’ spot. It’s by far the biggest gig they’ve ever done. And as DT said, “How can you not go?”.

This will be my first big open-air gig since The Garden Party at Milton Keynes. That was back in 1986, 21 years ago! Yikes!

I’m completely neutral on Bryan Adams himself; all I know is a few of his biggest hits. I’m sure he can put on an entertaining show. But I have to hand it to him for giving my favourite band the opportunity to perform on a big stage and hopefully make a significant number of new fans. Let’s hope they rise to the occasion and play the sort of absolute blinder I’ve seen them play when they’re on top form.

Son of the Seven Songs Meme Rides Again

Thursday, July 12th, 2007

Psycho Chicken has sent the seven songs meme shambling forth once again. Here’s my seven.

  1. Carpe Diem - Mostly Autumn
  2. Fallen Angels - The Reasoning
  3. A Smart Kid - Porcupine Tree
  4. Easter - Marillion
  5. Given Time - Odin Dragonfly
  6. Armor and Sword - Rush
  7. Escape - Iain Jennings

All but one are by artists I’ve seen live in the past six months, and I’ve got a ticket to see the one remaining band (Rush) in October. The list even includes one song which isn’t released yet, but has managed to implant itself in my head after hearing it live twice. Interesting to compare with my answers for the same meme six months ago

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